top of page

A Little too much of Ekphrastic

Writer's picture: Golden InkGolden Ink

Dear Readers,


Happy Friday! It's pretty much already the end of week five! Can you believe that?! Today I wanted to include some ekphrastic poem examples that are inspired from different artworks. The first poem I would like to share is based off American Gothic, painted by Grant Wood in 1930.


American Gothic

John Stone


Just outside the frame

there has to be a dog

chickens, cows and hay


and a smoke house

where a ham in hickory

is also being preserved


Here for all time

the border of the Gothic window

anticipate the ribs


of the house

the tines of the pitchfork

repeat the triumph


of his overalls

and front and center

the long faces, the sober lips


above the upright spines

of this couple

arrested in the name of art


These two

by now

the sun this high


ought to be

in mortal time

about their businesses


Instead they linger here

within the patient fabric

of the lives they wove


he asking the artist silently

how much longer

and worrying about the crops


she no less concerned about the crops

but more to the point just now

wether she remembered


to turn off the stove.


This poem is very beautiful and sort of witty at the end. The poet describes what is going on outside of the piece rather than describing the actual painting itself.


Here is another ekphrastic piece that I would like to share with you all. This poem is inspired by a painting called Saint George and the Dragon, made by Paolo Uccello in 1470.


Not my Best Side

U. A. Fanthorpe


I

Not my best side, I'm afraid. The artist didn't give me a chance to Pose properly, and as you can see, Poor chap, he had this obsession with Triangles, so he left off two of my Feet. I didn't comment at the time (What, after all, are two feet To a monster?) but afterwards I was sorry for the bad publicity. Why, I said to myself, should my conqueror Be so ostentatiously beardless, and ride A horse with a deformed neck and square hoofs? Why should my victim be so Unattractive as to be inedible, And why should she have me literally On a string? I don't mind dying Ritually, since I always rise again, But I should have liked a little more blood To show they were taking me seriously.


II

It's hard for a girl to be sure if She wants to be rescued. I mean, I quite Took to the dragon. It's nice to be Liked, if you know what I mean. He was So nicely physical, with his claws And lovely green skin, and that sexy tail, And the way he looked at me, He made me feel he was all ready to Eat me. And any girl enjoys that. So when this boy turned up, wearing machinery, On a really dangerous horse, to be honest I didn't much fancy him. I mean, What was he like underneath the hardware? He might have acne, blackheads or even Bad breath for all I could tell, but the dragon-- Well, you could see all his equipment At a glance. Still, what could I do? The dragon got himself beaten by the boy, And a girl's got to think of her future.


III

I have diplomas in Dragon Management and Virgin Reclamation. My horse is the latest model, with Automatic transmission and built-in Obsolescence. My spear is custom-built, And my prototype armour Still on the secret list. You can't Do better than me at the moment. I'm qualified and equipped to the Eyebrow. So why be difficult? Don't you want to be killed and/or rescued In the most contemporary way? Don't You want to carry out the roles That sociology and myth have designed for you? Don't you realize that, by being choosy, You are endangering job prospects In the spear- and horse-building industries? What, in any case, does it matter what You want? You're in my way.


Hope you enjoyed reading these amazing poems!


~ Golden Ink

7 views0 comments

Recent Posts

See All

Comments


Subscribe Form

Thanks for submitting!

©2023 Poetry & Sugar. All rights reserved.

bottom of page